
The structural blueprint relies on a strict schema where
three main characters anchor the epic roles:
- Leopold Bloom is Odysseus (Ulysses), the wandering everyman.
- Stephen Dedalus is Telemachus, the searching son.
- Molly Bloom is Penelope, the wife waiting at home (though, unlike Penelope, she is unfaithful).
The table below outlines the sequential parallel connections
across the 18 chapters (episodes) of both works.
Part I: The Telemachia (The Search for the Father)
Like The Odyssey, the first three chapters entirely
bypass the main hero to focus on his symbolic son.
|
# |
Ulysses Episode |
Odyssey Section |
Brief Parallel & Summary |
|
1 |
Telemachus
at home |
Stephen is usurped in his home. Just as Telemachus
is crowded out of his palace by parasitic suitors, Stephen
Dedalus faces the mockery of his roommate, Buck Mulligan, in a rented
Martello tower. |
|
|
2 |
Telemachus
visits King Nestor |
Seeking council from an elder. Telemachus
travels to wise old King Nestor for news of his father. Stephen, working as a
schoolteacher, receives narrow-minded, anti-Semitic advice from his
headmaster, Mr Deasy. |
|
|
3 |
Telemachus
meets Proteus |
Wrestling with shifting shapes. Telemachus
learns how to capture Proteus,
the shape-shifting Old Man of the Sea. Stephen walks along Sandymount Strand,
wrestling with the fluid, changing nature of reality, language, and his own
identity. |
Part II: The Odyssey (The Wanderings of Bloom)
The focus shifts to the epic hero as he navigates the
obstacles of the external world.
|
# |
Ulysses Episode |
Odyssey Section |
Brief Parallel & Summary |
|
4 |
Odysseus
captive on Calypso's island |
Imprisoned by a nymph/domesticity. Odysseus
spends years trapped on Calypso’s island, yearning for home. Leopold
Bloom is introduced trapped in his routine, making breakfast for his wife
Molly,
who remains in bed like a reclining goddess. |
|
|
5 |
Lotus-Eaters |
The narcotic Lotus-Eaters |
The escape into numbness and bliss. Odysseus’s
crew eats the lotus flower and forgets their home. Bloom wanders through
Dublin, picking up a love letter under a pseudonym, visiting a church, and
indulging in the sensory bliss of a warm bath. |
|
6 |
Odysseus
visits the Underworld |
A journey into the realm of the dead. Odysseus
travels to Hades
to speak with fallen comrades. Bloom attends the funeral of his acquaintance
Paddy Dignam at Glasnevin Cemetery, reflecting heavily on mortality and his
own deceased father and infant son. |
|
|
7 |
The God of Winds |
An onslaught of empty words and hot air. King Aeolus
gives Odysseus
a bag of winds that blows his ship off course. Bloom visits a chaotic
newspaper office where the air is thick with the metaphorical
"winds" of rhetoric and journalism. |
|
|
8 |
Lestrygonians |
The cannibal giants |
The visceral, consuming trap of appetite. Odysseus
loses most of his fleet to savage cannibals. Bloom walks through Dublin at
lunchtime, disgusted by the animalistic way men gorge themselves on food in a
local restaurant. |
|
9 |
The rock and the whirlpool |
Navigating deadly philosophical extremes. Odysseus
must steer between a six-headed monster and a deadly whirlpool. At the
National Library, Stephen navigates a treacherous intellectual debate about
Shakespeare, balancing rigid dogma against fluid theory. |
|
|
10 |
The dangerous floating rocks |
A montage of a fractured city. This minor Homeric
danger is bypassed by Odysseus,
but Joyce uses it to showcase 19 short vignettes of various Dubliners
wandering the streets, blindly passing one another like drifting stones. |
|
|
11 |
Sirens |
The seductive Sirens |
The intoxicating snare of music. Odysseus
ties himself to the ship's mast to hear the Sirens'
seductive songs safely. Bloom sits in a hotel bar, deeply moved by the tragic
singing of traditional Irish ballads while trying to ignore his wife's
infidelity happening across town. |
|
12 |
The one-eyed giant |
Blinded by narrow-minded rage. Odysseus
blinds the one-eyed giant Polyphemus,
who flings a boulder at his escaping ship. In a pub, Bloom faces down "The
Citizen," a bigoted, one-eyed Irish nationalist who aggressively
hurls a biscuit tin at Bloom's head. |
|
|
13 |
Princess Nausicaa |
A fleeting moment of youth and desire. The young
princess Nausicaa
rescues a shipwrecked, naked Odysseus
on the beach. At Sandymount Strand, a limping teenage girl named Gerty
MacDowell silently flirts with Bloom, providing a moment of voyeuristic
escape. |
|
|
14 |
The slaughter of the sacred cattle |
The defilement of life and creation. Odysseus's
starving crew destroys the sacred cattle of Hyperion, bringing down divine
wrath. Bloom visits a maternity hospital where carousing medical students
disrespect the sacred nature of childbirth with crass jokes. |
|
|
15 |
The sorceress who turns men into pigs |
The hallucinatory grip of base desires. The
enchantress Circe
transforms Odysseus’s
men into swine. Bloom follows a drunken Stephen into Dublin’s red-light
district, entering a surreal, nightmare-like brothel where internal anxieties
and repressed fantasies take physical shape. |
Part III: The Nostos (The Homecoming)
The final section brings the father and son together to
reclaim the home.
|
# |
Ulysses Episode |
Odyssey Section |
Brief Parallel & Summary |
|
16 |
Eumaeus |
The loyal swineherd's hut |
The father and son finally unite. Odysseus meets
Telemachus in disguise at the shelter of his loyal swineherd. Bloom rescues a
severely intoxicated Stephen from a street brawl and takes him to a cabman’s
shelter to sober up, establishing a quiet bond. |
|
17 |
Ithaca |
The return to the kingdom |
A cold, mathematical reclamation of home. Odysseus
returns home to slaughter the suitors occupying his palace. Bloom brings
Stephen back to his house. Written entirely in a cold, catechism-like
question-and-answer format, Bloom accepts the reality of his unfaithful home. |
|
18 |
Penelope |
Penelope's loyalty and sleep |
The final, sensual affirmation of love. While
Homer's Penelope tests Odysseus to prove his identity, Joyce finishes with an
unpunctuated, shifting stream-of-consciousness monologue from Molly Bloom. As
she lies in bed, she reviews her lovers but ultimately concludes with her
ecstatic, life-affirming memory of accepting Bloom's marriage proposal. |

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